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Open CastRe imagining landscape painting in a contemporary context has been a concern of mine. A mapping of place which encompasses geological time, social histories, personal experiences and memory is a primary motivation. The early Flemish Weltlandschaft has also been a continuing fascination in which viewpoint is often bird like providing the visual potential for a great stretching of space and time to unfold. The scars of the post industrial landscape,

place and memory through an analogue

I'm interested in the conflict of thin and thick screens of paint

the tabletop remained intact

Slim lengths of slim wood have been cut and reconfigured in a way that propels movement and creating an energetic rhythmic interplay between solid form and void

It uses the real-world heritage skills of modelling and drawing to create a work that can exist in a form that can confront a viewer

Originally made for artist-run dinner 'The Amber Room' at Matts Gallery

These fragments resist the seamlessness of contemporary interfaces

reshaped and painted with pigments and marble dust to embody a weathered

Entangled messy long linear forms

depicting the individuals not as they appear

contamination becomes a material language

broken references and associative meanings

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